The dog seemed to be on a rampage, intent on destroying everything in her path, including the Repairman, if need be. “WHERE’S SNOOFLES?!” She demanded. Snoofles? Her robotic-dog-puppy-son she had with Mover & Shaker? Is that what she was on about? For everyone’s sake, she had better find him quick…
(Beepsumu)
Beep didn’t actually want to do this. She had no intent or desire to harm the Repairman at all. But she HAD to, didn’t she, if only to keep her dignity intact? Her cyborg enhancements had given her impeccable aim; if she did end up shooting him, she could at least ensure she did as little damage as possible. In any case, she had no choice but to pick up her pistol and take her place…
(Bowyetta(I’MSORRYIHADTOUSETHIS))
Bowyetta definitely wasn’t acting like herself. She still looked like the same Bowyetta… Well, mostly. Her eyes looked glassy-More glassy than usual, that is-and were glowing an odd purplish-pink color. A look at the arrows showed that they were in the same state as well. Something was definitely affecting them… But what?
(Bonkakira)
“Hey! You been messin’ with Uncle Rupert?!” Bonk was usually a rather stoic woman, but when she was drunk she had a tendency to lose all filters… Fortunately, she didn’t have Rachel or her bat with her at the time. Unfortunately, that wasn’t going to stop her from finding some sort of weapon, or tearing the place apart with her bare hands, if need be…
1. In Toontown verse, Bruce recently discovers his own animation origins. It’s a bit jarring, realizing the world you’ve known your whole life is the creation of many humans. Even more so when you find out your very existence is created for the entertainment of humans; a race you weren’t entirely sure about or certain you want to trust. The Repairman helps Bruce get over that initial shock, teaching him tricks and techniques to make sure that existentialism doesn’t wear down the shark’s psyche.
2. The Repairman gives the shark some contact information, those of which vary from every sort of Toon; from hand-drawns in multiple eras of animation, to other CGIs, to a number of Toons from different media and origins. This helps Bruce adjust better, and gives the CGI shark a better grasp on the handle of the residence of the Toons; Toontown.
3. Bruce learns several techniques from the Repairman, mainly altering physics to one’s own use. Using this, the shark can actually swim around above the water. Not fly per say, but rather float.
4. Realizing just how fragile the barrier is between their own world and the ‘fourth wall’, the shark tries to remind other Toons to not bring too much attention to it, just to prevent the Repairman from having to do too much work. Its the least the shark could do, after the Repairman helped Bruce so much with adjusting to his startling new reality.
Siblings-a-Fixin' 